The American Writer mary kubica is another great representative of the current of the domestic thriller. A particular subgenre that increasingly attracts the attention of readers who discover in these tension, inside doors of the most unsuspected homes, a morbid taste, a disturbing reflection. Together with Mary we can quote Shari lapena and we already have two women writers who develop plots of this nature like no one else.
And it is in that fundamental cradle of emotions that is each of our homes, where we remove the first mask of the social, is where we expose ourselves to the most profound truths.
So we can discover, perhaps unfortunately later than soon, that we live with a threatening psychopath, or that our beloved teenage son hides lurid secrets, or we are compelled to participate in the cover-up of the atrocious in defense of our family ...
They are just examples. But the truth is that there is a lot of argument from which to compose one of these new plots that project us to the most disturbing of the assumptions, to that enemy at home, to that terror that lives inside, in each room of our until then comfortable abode .
So, if you are one of those who likes to look through the keyhole, in search of the crudest truths, of the dead that each family hides under the rug, welcome to the universe Mary Kubica.
Top 3 Recommended Novels by Mary Kubica
A good girl
Mia Dennett is the good girl. A confident young woman, inhabitant of the pleasant side of life, unable to see the shadows from which so many dangers lurk. Even more so on a closed night before a frustrated date, a full-fledged planting that left the girl composed but without company in a gambling den lost in the city.
The scoring of people moving at night is Russian roulette for a girl like Mia. Colin Thatcher's charms were enough to convince her to spend a fun night together.
Between the spite for the abandonment and the desire for adventure, Mia does not want to consider that she may be acting recklessly. Because in a short time Mia discovered that she had been kidnapped and taken to some remote place.
But beyond the inquiries in their search, led by detective Gabe Hoffmano and the family, the most interesting thing about the novel comes in a parallel plot that serves to disfigure everything, to decompose that idyllic family gripped by the loss of their daughter.
Stressful situations can end up bringing out the worst in everyone. And sometimes the worst are the secrets, that dead man under the carpet that, with the arrival of the police and their investigations, it becomes difficult to hide a stench around the Dennett house and family.
An unknown girl
Heidi Wood's Samaritan decision to take in this abandoned young woman with a baby in her arms was very much in tune with her caring vision of the world.
His family did not have them with them. Willow was an outsider in strange situations, the prototype of a person surrounded by an aura of trouble with brooding sinister suspicions.
But precisely because she is the wonderful person she is, with her fixation on lost causes, at home both her husband and her daughter know that she is no longer going to give in. Heidi is not going to turn back since the young woman has crossed the threshold of her house with the little baby so in need of something like a home.
Of course, little by little Willow's shadows are looming over the house, half a warning from Heidi's own family, half natural knowledge of the stranger's circumstances.
Good or evil is the same plane that we step on indistinctly based on variable appreciations. What Willow hides may be necessary secrets, as serious as they are necessary for her survival. But ... to what extent can Heidi get involved? Could it all be turned against your own home?
Do not Cry
Chicago, the city of the wind. An icy and intense current of that wind seems to lift Esther Vaughan from her place and carry her away forever like Dorothy Gale in the Wizard of Oz.
In both planes of reality two moments, the Esther Vaughan who left her roommate alone with the most disturbing clues about her possible destiny and on the other side the appearance of a young woman in a small town overlooking the Atlantic.
The new character who succumbs to the stranger is Alex Gallo. And yes, there is a third plane, ours as readers, trying to marry the images and clues on either side of the plot, composing with more pain than glory the pieces of that woman or those women who leave the scene or who enter it.
A great novel towards one of those endings that converge at an explosive point between timelines not prepared to touch.
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